Indian Independance "Freedom"fare Award

If History was a filmfare award:



I have always been a keen student of history. Atleast till Std. X. History fascinated me, unlike most of my friends at school. The Indian independance struggle was an imaginative battlefield in itself, with Lokmanya Tilak starting the proceedings by dominating Chapter 3 and 5 before handing over the mantle to Gandhiji who played the main lead. Nehru, was usually the 2nd lead till assuming supremacy in the climax, after the sad death scene of the Mahatma. History is an intersting subject. You believe everything written in there. Perceptions are made and remain forever. Jinaah was bad and Gandhi was good. In Pakistan, its probably vice versa. How can there be different accounts for the same fact. Roshomon concept at work!

Newyas, if History was a filmfare award ceremony:



My nominations for best actor-male:

1) Mahatma Gandhi for Satyagraha
2) Mahatma Gandhi for Quit India Movement
3) Mangal Pandey for 1857-Uprising
4) Lokmanya Tilak for Swaraj is my birthright.
5) Jawarhal Nehru for Lady Mountbatten episode and PMship.






Female leads were very few and far between. 1857 saw the ferocious and brave Rani Jhansibai. There was a lull before a faint and soft spoken Sarojini Naidu reached the dias. Please pardon my history if I have forgotten someone in the vast 90 year old independance struggle. Perhaps, the most powerful woman in India has been Indira Gandhi. Since, her exploits are timed post independance, she does not share screen space. However, there was a fantastic performance in mainstream history (i.e. social upliftment) for which she won accolades across the globe. Although she became world famous post '50s , she however does get a nomination as she came to India in '46.
Mother Teresa may give some tough competition to our angry young women.

My nominations for best actor-female:
1) Rani Laxmibai - 1857 Uprising
2) Sarojini Naidu - Quit India Movement
3) Mother Teresa - Missionaries.

Supporting actors were far too many in the Indian independance struggle. Tatya Tope won all hearts in school, as he was the last man standing after the 1857 uprising. His guerilla warfare tactics made him the last heir to Shivaji before the Thakereys took over. Thereafter there were the Parsibabas, the Nowrojis whose work was less impressive than their passport sized photographs in the history books. Then, in order to slow the momentum of the freedom struggle, we had the Vivekanands and the Tagores, who bought art and music to the Indian struggle. However, three action heroes took centrestage in the middle chapters when Gandhiji went for a restroom break.

First, the well documented Bhagatsingh. Already 4-5 movies have been made on his valiant effort to take revenge of the Jalianwala Baug massacre. However, his role was "allegedly" cut on the editing table by Gandhi.

Another, action hero who stormed the entire nation was Bose. His fan following in the East in unprecedented. The East of India and the Eastern nations as well. However, his untimely "death" led to his relegation to supporting actor.

The third was the Iron man. Sardar Patel, who was instrumental in the formation of the 26 states of India.

My nominations for best supporting actor:

1) Netaji Bose - World war 2

2) Bhagatsingh - Courtroom

3) Swami Vivekananda - Brothers and sisters

4) Tatya Tope - 1857 Uprising

5) Sardar Patel - 26 states

Best Dialogue:

One liners were the mantra to rebellion in those days. This award is dedicated to the line, which led to the most terrific response by the followers, without whom the Independace struggle is unthinkable.

Our nominations:

1) "Swaraj is my birthright and I shall have it" - Tilak

This dialogue was the crux of the Tilak chapters. We read the entire 4 page chapter only to read this line. Questions of every term paper would revolve around it.

q) What did Lokmanya Tilak say when he came out of prison? Over the years, this question is asked for 3 marks, which in itself is a big achievement.

2) Tumhaara Aagyakaari beta, Bhagatsingh

Although not as popular as the previous, in terms of national movement, this line shows the family values of a freedom fighter. His respect for his father, inspite of his love for the land.

Imagine, the line which has been rehearsed by Bobby Deol, Sonu Sood, Ajay Devgan and Siddharth over the last 4 years, must have some "dum"

3) SIMON , go back
Probably, the first time Indians talked in English. John Simon, a commisioner, would be elated to become such a household name in India. It paved the way for foriegn language in India, and today we have English as our 1st language. Great contribution. What more, even in the recent Ind-Aus series down under, the reference was clearly visible: Symonds go back.

4) Hey Ram - Gandhi

The most controversial dialogue ever in Indian history. A line, which has all the ingrediants of religious acimony, bitterness and fued. A line, which contradicts all the convictions on which the great man walked. A line, on which INC exists even today. A line, which led to the formation of the BJP.

Best Music:
Only 2 nominations
1) Jana gana mana - Tagore
2) Vande Mataram - Bankim Chattopadhyay
However, A R Rehman may clearly win a nomination with his versions of both the songs soon.

Worst Villain
1) Mohd. Ali Jinaah - Partitiion riots.
2) General Dyer - Jalianwala Baug
3) Nathuram Godse - Hey Ram

This is where history starts contradicting itself. Some claim Jinaah ws right, even Advani has apositive opinion about him. Godse, is an idol for the BJP, while General Dyer is hated all over.

Best Director:
However, the best award should go to the Congress Government over the years, for projecting the Indian history in the minds of youngistan, the way they wanted to project leaders. Hence, Bose and Tilak and given 10 pages worth space. Nehru, Gandhi and even the young Indira has enough screen space to show their wares. What more , they have the 10 mark questions coming their way as well.

Well, please put in your thoughts on who should win the best award in each category. Other nominations are also welcome [:)]